Wu tang meets the indie culture zip
Dubstep also sounds like a movement. The philosophies center on Radical Self Expression, Radical Inclusion, Gifting, Radical Self Reliance, Leave No Trace, and a participatory spirit that encourages attendees at any event to be part of the entertainment as well as observers, making the environment a kind of collaborative installation artwork. This is burner culture, and while its name suggests a dedicated orbit around the Burning Man event, it is a much broader subset that includes what would superficially be identified as hippies, ravers, bohemians, technophiles, primitivists, anarchists, nudists, drag queens, scenesters, exotic dancers, tattooists, construction workers, environmentalists, fire spinners….
I could go on, but basically imagine a vortex of all the freaks and closet freaks conceivable, united in an all-inclusive spirit of unfettered human expression, put them in a field, a warehouse, a backyard, and flip on Wu Tang Meets The Indie Culture Vol. Mixed by a team of renowned producers in the style, at times the uncustomary blending of hip-hop and dubstep seems slightly contrived, the vocals stumbling over the wonky low-pass bass. For the most part, however, it is a bounce-inducing exploration of the rarely entertained boundaries between mainstream and underground, a successful experiment in the abolition of genre dedication comprised of remixed Wu-Tang favorites.
However, it is the popular accessibility of mixing a subterranean electronic music style with one of the most famous hip-hop groups to ever unleash their poetic kung-fu on the planet that makes this album truly important, revolutionary, and possibly dangerous.
This project has the potential to popularize dubstep, and as mainstream culture has this disturbing tendency to exploit the spirit of the indie trends it draws from, quite possibly burner culture as well. It also has the capacity to catapult DJs and producers previously toiling in an arena of little commercial viability into a lucrative limelight.
I brought the Richmond Mural Project to town. I threw a bunch of parties. Printed a lot of magazines. Met so many fantastic people in the process. Anthony Harris. I get asked a lot by people: what Richmond bands should I check out? After a decade of trying to help everyone out, I decided to take a Marilyn Drew Necci. I've been going to shows in Richmond for what I am frightened to realize is just shy of three decades now. I showed up as a fresh-faced Drinking Hanging Out In Love.
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